The DeCastro Sisters, female trio singing group. (Cuban descendant) ** Las Hermanas DeCastro, trio femenino de cantantes. (Descendientes cubanas)

de-castrosThe DeCastro Sisters was a female trio singing group: originally they consisted of Peggy DeCastro (1921–2004), Cherie DeCastro (1922–2010) and Babette DeCastro (1925–1992). When Babette retired in 1958, a cousin, Olgita DeCastro Marino (1931–2000) replaced her and when Peggy later left the group to go solo, Babette re-joined Cherie and Olgita. Peggy eventually returned and Babette once more retired.

They began as a Latin-flavored trio, strongly inspired by The Andrews Sisters and were protegees of Carmen Miranda. They eventually became more Americanized in their performances and added a lot of comedy, but continued to have a unique and exotic identity of their own.

The biggest hit single for the group was “Teach Me Tonight”, in 1954. The song hit #2 in the United States, and the follow-up, “Boom Boom Boomerang”, hit #17. The group is referenced in an episode of The Sopranos, “Do Not Resuscitate”, as one of the only music groups that matriarch Livia actually likes, along with Mario Lanza.

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The three original DeCastro Sisters—Peggy, Cherie and Babette—were raised in Havana in a family mansion that was seized by Fidel Castro during the Cuban revolution and is now used as the Chinese Embassy. Their mother, Babette Buchanan, was a Chicago-born Ziegfeld Follies showgirl who married the wealthy Cuban Juan Fernandez de Castro, owner of a sugar plantation in the Dominican Republic where Peggy was born.

De Castro later developed radio and television in Cuba with David Sarnoff, who was often a guest at their home and was also in charge of a planned project under the Batista regime to build a canal through Cuba, which never materialized.

De Castro purchased an apartment at the famed Dakota building in New York City, where Cherie Dawn DeCastro was born on September 1, 1922. Youngest daughter Babette was born back in Havana. The De Castro Sisters, always strongly chaperoned, began their singing careers as young girls and patterned themselves as a Cuban version of the Andrews Sisters. They emigrated to Miami in 1942, where they were seen by an agent from General Artists Corporation (now ICM) and booked into the Copacabana in New York with the Will Mastin Trio featuring another Cuban descendant artist Sammy Davis Jr.

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As their careers took off, their act became more flamboyant and they worked across the country including the Palladium in Hollywood, where they sang with Tito Puente’s band and made their first recordings. In 1946, they provided several of the bird and animal voices for Walt Disney’s animated “Song of the South”, including the Oscar-winning “Zip-a-Dee-Doo-Dah”. They appeared on screen with Carmen Miranda and Groucho Marx in the 1947 film Copacabana, the same year that they joined Bob Hope and Cecil B. DeMille on the live premiere broadcast special launching KTLA in Los Angeles, the very first telecast west of the Mississippi. The sisters were introduced by Hope and sang “Babalu,” which was filmed by a Paramount newsreel cameraman and is the only surviving footage of the original three-hour show.

In 1954, a more Americanized version of the DeCastro Sisters, were signed by a small country label, Abbott Records, and their first release featured “It’s Love” as the A-side, backed by an obscure Sammy Cahn-Gene DePaul song, “Teach Me Tonight”, that had been suggested at the last minute by their bass player. The label was pushing “It’s Love,” but Cleveland disc jockey Bill Randall turned the record over and “Teach Me Tonight” soon took the nation by storm, peaking at No. 2 on the charts and selling more than five million copies to date. Several more recordings followed including “Too Late Now”, “Boom Boom Boomerang”, “Snowbound For Christmas”, “With My Eyes Wide Open I’m Dreaming,” and numerous albums on a variety of labels including RCA Victor, ABC-Paramount, Capitol, and 20th Century-Fox.

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Now major headliners, they shared the bill with Noël Coward when he made his Las Vegas debut at the Desert Inn in 1954, which had one of the most star-studded and publicized opening nights of any show in the town’s history. Coward would watch their act every night while waiting to go on himself. They were part of another historic engagement in 1959, when they joined the Las Vegas debuts of George Burns as a solo act and a young singer named Bobby Darin at the Sahara. It was the DeCastros who told Darin that he should record one of the featured songs in his act, “Mack the Knife” Darin thought it was just a nightclub number, but he later took their advice.

The DeCastro Sisters appeared on most major TV shows including The Ed Sullivan Show and The Perry Como Show. They also made numerous film shorts including Universal’s “Swingin’ and Singin'” with Maynard Ferguson and Riot in Rhythm with Harry James. At various times Peggy and Babette took leave from the act and were replaced by a cousin Olgita, so Cherie was the only sister who was part of every appearance and recording that the group ever made.

In 1997, they were part of KTLA’s 50th anniversary broadcast in Los Angeles and headlined at the Hollywood Roosevelt’s Cinegrill. Three years later, they were inducted in the Casino Legends Hall of Fame as “Las Vegas Living Legends.” Cherie continued to perform until shortly before her illness and sang “Teach Me Tonight” on the 2006 PBS special, “My Music: Moments To Remember”, which is still periodically shown and is out on DVD.

DEATH.

Babette died of cancer in 1992. Olgita died of asthma on February 14, 2000. Peggy DeCastro, the oldest member of the DeCastro Sisters died of lung cancer on March 6, 2004 in Las Vegas, she was 82. Cherie, the only sister to appear on every recording, film, TV and stage appearance, died on March 14, 2010.
She was 87. DeCastro died at Valley Hospital Medical Center in Las Vegas.

Agencies/Various/Wiki/InternetPhotos/youtube/thecubanhistory.com
The Cuban History, Hollywood.
Arnoldo Varona, Editor.

José Manuel Fors, visual arts, photographer. (born in Havana) ** José Manuel Fors, arte visual, fotógrafo. (Nacido en Habana)

José Manuel Fors is a Cuban photographer who was born in 1956 in Havana (Cuba). His work has been shown in Cuba and all over the world, including at the famous Los Angeles County Museum of Art, in a 2001 exhibition called Shifting Tides : Cuban Photography after the Revolution.

José Manuel Fors graduated from the San Alejandro Art Academy in 1976, and held a curatorship at Havana’s Instituto de Museologia from 1983 to 1986. José Manuel Fors has often worked with various media and techniques, exploring more particularly the themes of memory and nature. He also worked as a designer for the National Museum of Fine Arts in Havana.

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He rarely leaves the house with a camera and he doesn’t travel with one. He compares his working methods to a painter’s. “A painter is isolated in his studio and creates everything that comes into his head.” What comes into Fors’ head is “a kind of family memory,” he says. “I started out by appropriating my family photos.” The occasion for this was a 1982 exhibition dedicated to exploring the links between art and science, at Cuba’s National Museum of Fine Arts, where Fors was a museographer for 10 years. “I took an image of my grandfather’s face and I used at lot of his documents.” His grandfather, Alberto José Fors, was the man who brought modern forestry to Cuba. “Eventually I used my whole family.”

PERSONAL EXHIBITIONS.

2006 :Objetos Fotográficos, Auditorio de Galicia, Santiago de Compostela, España.
Historias Circulares, Museo de Bellas Artes, Havana, Cuba Objetos Fotográficos, Auditorio de Galicia, Santiago de Compostela, España.
Historias Circulares, Museo de Bellas Artes, Havana, Cuba
2005 : Solo Exhibition, Boy Cott Art Gallery, Brussels, Belgium
2004 : Las Cartas, Casa de Las Américas, Havana, Cuba
Largas Cartas, Couturier Gallery, Los Angeles, California
2003 : Los Objetos, Geukens & De ViI Contemporary Art, Knokke- Zoute, Belgium Círculos, Fototeca de Cuba, Havana, Cuba
2002 : Fallen Leaves, Couturier Gallery, Los Angeles, California
2001 : Solo Exhibition, C. Grimaldis Gallery, Baltimore, Maryland
Beyond Cuba, Mirages of Absence, Jose Manuel Fors y Rogelio Lopez Marin (Gory) Beadleston Gallery, New York
2000 : Solo Exhibition, Couturier Gallery, Los Angeles, California
1999 : Salón Nacional de Fotografía, Centro de Desarrollo de las Artes Visuales, Havana, Cuba
1998 : Foto- Installatles, Ommegangstraat 7, 9690, Kluisbergen, Kwaremont, Belgium Geukens & De Vi, Knokke- Zoute, Belgium
Hojarasca, Proyecto el voluble rostro de la realidad, Fototeca de Cuba, Fundación Ludwing de Cuba, Havana, Cuba
1997 : Solo Exhibition, Verso Photo Gallery, Tokyo, Japan. Las ventanas, Galería La Acacia, Havana, Cuba
1995 : El paso del tiempo, proyecto naturalezas conjuradas, Centro Wifredo Lam, Havana, Cuba.

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1993 : Desde la tierra, Galería La Otra Banda, Mérida, Venezuela
Terra mater, Alianza Francesa, Centro Chacaito, Caracas, Venezuela 1992 Trabajos Fotográficos, Fototeca de Cuba, Havana, Cuba
1988 : La tierra, Centro Provincial de Artes Plásticas y Diseño, Havana, Cuba
Golpes de vista, Museo Provincial. Villa Clara, Cuba
1983 : Acumulaciones. Casa de la Cultura de Plaza. La Habana, Cuba

COLLECTIVE EXHIBITIONS.

2007 : youTHink, Zimmer Children´s Museum. Los Angeles, USA.
Cuba Avant Garde: Arte Contemporáneo cubano de la Colección Farber, Harn Museum of Art, Gainesville, Florida
Cuba Avant Garde, Arte Contemporáneo cubano de la Colección Farber, Museo Ringling, Sarasota, Florida
Homing Devices, Contemporary Art Museum, Tampa, Florida
2006 : Show & tell: the art of time. Zimmer Children’ Museum, Los Angeles, California
ArtLA2006, Los Angeles, California Arteamericas2006, Miami, Florida
Arte de Cuba, Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro, Brasilia
2005 : Documenting Poetry: Contemporary Latin American Photography, Maier Museum of Art, Virginia
En Blanco y Negro, Fotografía Cubana Contemporánea, Galería San Lucas 9, Madrid, Spain Proyecto Espacios, Galería Espacios, Madrid, Spain
2004 : No Island is an Island: Contemporary Cuban Art, Sawhill Gallery, James Madison University, Harrisonburg, Virginia
2003 : Contemporary Art and the Art of Survival, Natalie and James Thompson Art Gallery, San José State University, San José,
California
2002 : Shifting Tides: Cuban Photography After the Revolution, Museum of Contemporary Photography, Chicago La Photographie Contemporaine á Cuba, Mois de la Photo á Paris, Fnac Etoile, France
Cuba 1960-2000 Sogno e realtà, Fondazione Italiana per la Fotografia, Turin, Italy
2001 : Four Cuban Photographers, Colectiva Cubana, Couturier Gallery, Los Angeles, California
Shifting Tides: Cuban Photography after the Revolution, Los Angeles County Museum of Art, Los Angeles, California

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Shifting Tides: Cuban Photography After the Revolution, Grey Art Gallery, New York University, New York
2000 : Vigovisións, IX Fotobienal, Vigo, Pontevedra, Spain
1999 : La huella múltiple, Centro de Desarrollo de las Artes Visuales, Havana, Cuba
Metáforas / Comentarios, Artistas de Cuba, State University of San Francisco, California
Lo real infatigable, Fundación Ludwig de Cuba, Centro de Desarrollo de las Artes Visuales, Havana, Cuba
1998 : ¿Cómo es Posible ser Cubano? La Maison de l’Amérique Latine, Paris, France Fragmentos a su Imán, Casa de Las Américas, Havana, Cuba Empreintes Cubaines, Théâtre national de Chaillot, Paris, France
20 Festival des 3 Continents, Chapelle de I’Oratoire, Nantes, France
1997 : Contemporary Cuban Art, 33 Hazelton Avenue, Toronto, Canada
1996 : Fotografía Cubana, Fotocentre, Unión de Periodistas de Rusia, Moscow, Russia
1995 : Relaciones peligrosas, Centro de Desarrollo de las Artes Visuales, Havana, Cuba
Vestigios. Ego: un retrato posible, Centro de Desarrollo de las Artes Visuales, Havana, Cuba
Naturaleza Vive, Salón de los Pasos Perdidos, Capitolio Nacional, Fundación La Naturaleza y el *Hombre, Havana, Cuba I Feria Internacional de Arte, World Trade Center, DF, México. I Salón *Nacional de Arte Cubano Contemporáneo, Museo Nacional de Bellas Artes, Havana, Cuba
Visioni, Fotografía Cubana de los 90, Spazio Italia, Milan, Italy
1994 : X Abril Mes de la Fotografía, Mérida, Yucatán, México
1993 : La Nube en Pantalones, Museo Nacional de Bellas Artes, Havana, Cuba
Plástica Cubana Contemporánea de los Ochenta, Museo Universitario del Chopo, Mexico
1992 : Cuban Contemporary Photography, Traveling exhibition, Firenze, Italy
1991 : Nuevas Adquisiciones Contemporáneas, Museo Nacional de Bellas Artes, Havana, Cuba

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IV Bienal de La Habana, Galería L, Havana, Cuba
198 : 49th International Photographic Salon of Japan, Tokio, Osaka, Nagoya, Kyoto, Sapporo, Fukuoka, Japan
III Bienal de La Habana, Museo Nacional de Bellas Artes, Havana, Cuba
1988 : Jóvenes Fotógrafos, Centro Provincial de Artes Plásticas y Diseño, Havana, Cuba Contemporary Cuban Painting, Tretiakov Gallery, Moscow, Russia
1987 : El Árbol y la Vida, Museo Nacional de Bellas Artes, Havana, Cuba Visiones del paisaje, Galería de la Universidad de Los Andes, Mérida, Venezuela
1986 : Pintura Cubana Actual, Galería Nacional de Arte Contemporáneo, San José, Costa Rica
II Bienal de La Habana, Museo Nacional de Bellas Artes, Havana, Cuba
1985 : De lo Contemporáneo, Museo Nacional de Bellas Artes, Havana, Cuba
1984 : Manipulación y Alteración de la Imagen Fotográfica, Consejo Mexicano de la Fotografía. Mexico DF, Mexico, Concurso Internacional de Carteles de Cine, Galería 23 y M, Havana, Cuba
1983 : Encuentro de Jóvenes Artistas Latinoamericanos, Casa de Las Américas, Havana, Cuba
1982 : Premio de Fotografía Cubana, Galería 23 y M, Havana, Cuba
1981 : Volumen I, Centro de Arte Internacional, Havana, Cuba
Trece Artistas Jóvenes, Galería Habana, Havana, Cuba
Sano y Sabroso, Galería 23 y M, Havana, Cuba
1980 : I Salón de Pintura Carlos Enriquez, Centro de Arte Internacional, Havana, Cuba
1979 : Pintura Fresca, Residencia del Artista, Havana, Cuba
Pintura Fresca, Galería de Arte de Cienfuegos, Cienfuegos, Cuba
1978 : Exposición Colectiva de Dibujos, Galería Habana, La Habana, Cuba
Recognitions and awards[edit]
2007 : Categoría Docente Especial de Professor Consultante del Instituto Superior de Arte de la Habana, Cuba
2001 : Diploma al Mérito Artístico. Instituto Superior de Arte (ISA) La Habana, Cuba
1999 : Distinción por la Cultura Nacional. Ministerio de Cultura. La Habana, Cuba
1989 : Medalla de Oro, 49th International Photographic Salon of Japan, Tokio, Japon
1988 : Mención en Fotografía, Concurso 13 de Marzo, Galería L. La Habana, Cuba
1985 : Mención en Fotografía, Concurso 13 de Marzo, Galería L. La Habana, Cuba.

Agencies/Various/Wiki/InternetPhotos/youtube/thecubanhistory.com
The Cuban History, Hollywood.
Arnoldo Varona, Editor.

Aurora Bosch, dancer, ballet teacher. (born in Havana) ** Aurora Bosch, estrella y maestra del ballet. (Nacida en Habana).

200px-Aurora_Bosh4Aurora de los Ángeles Bosch Fernández (December 10, 1942) is a Cuban dancer and teacher of ballet. Along with Loipa Araújo, Josefina Méndez, and Mirta Plá, she is regarded as one of the “four jewels of Cuban ballet”. She was a principal artist with the Cuban National Ballet (Ballet Nacional de Cuba; BNC).

Bosch was born in Havana. In 1951, after her family saw an advertisement in the newspaper, Bosch received a scholarship to attend the Alicia Alonso Ballet Academy, now the Cuban National Ballet School. There, she trained with Magda González Mora, José Parés and Fernando Alonso. Her stage debut occurred with the Ballet Alicia Alonso, now the BNC, in 1954 in a production of Swan Lake.

CAREER.

She joined the BNC company in 1956. However, her small stature initially prevented her from assuming roles of relevance, relegating her to the corps de ballet. But in her first year, before the temporary closure of the BNC, a ballerina was absent for a performance in Matanzas, and Bosch was asked to take her place in Les Sylphides, where she made her true professional debut in a leading role. In 1958, Alicia Alonso asked Bosch to participate in the corps de ballet of Giselle at the Greek Theatre in Los Angeles, and the following year the ballet Coppélia. While in California, she also performed with Ballet Celeste in San Francisco. At the same time, Bosh began a long career as a ballet teacher at Alicia Alonso school.

In 1959 the new revolutionary Cuban government made ballet into a “national art form” and Bosch having completed her studies, participated in ballet auditions at the newly-formed BNC. In the same year, she made an extensive tour of South America with the company and the following year to Mexico and Eastern Europe, which lasted until 1961. Promoted to the rank of soloist in 1962, she gradually assumed roles within the company’s traditional and contemporary repertoire.

In 1963, she portrayed one of the friends in the Enrique Pineda Barnet film Giselle, which was produced by the Instituto Cubano del Arte e Industria Cinematográficos and starring Alicia Alonso. In 1967, she was promoted to prima ballerina at the BNC and still later served as ballet master. At an invitation from José Antonio Ruiz, she taught at the Ballet Nacional de España.

She was associated with the Ballet Clásico de México, Ballet Independiente y Ballet Clásico, Romanian National Opera, Moscow Ballet, Ballet de Victor Ullate, Royal Ballet of Denmark, International Summer Stage of Madrid, Ballet Zurich, Boston Ballet, Central School of London, National Ballet Hungary and the Vienna State Opera. She also participated in the international dance festivals in Chicago and in Monte Carlo.

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AWARDS.

Anna Pavlova prize, Dance University in Paris
Dance Critics Special Prize, France
Gold Medal, Instituto Nacional de Bellas Artes y Literatura
International Sagitario de Oro Art Prize, Italy
Medal Dance Merit, Brazilian Dance Council
1965, Varna International Ballet Competition, Silver Medal
1966 Varna, Gold Medal
2003, National Dance Prize, Unión de Escritores y Artistas de Cuba (UNEAC) and National Council of Performing Arts
2005, Emeritus Member, UNEAC.

Agencies/Various/Wiki/InternetPhotos/youtube/thecubanhistory.com
The Cuban History, Hollywood.
Arnoldo Varona, Editor.