Lincoln Chase, singer, “Jim Dandy”, songwriter. (Cuban descendant) ** Lincoln Chase, cantante, compositor. (Descendencia cubano)

Lincoln ChaseLincoln R. Chase (29 June 1926 – 6 October 1980) was an African-American songwriter and occasional recording artist. As a writer, his most notable songs were “Such a Night”, “Jim Dandy”, and several of Shirley Ellis’ hits in the early 1960s including “The Name Game” and “The Clapping Song”.

Chase was born in New York, the only child of West Indian immigrants. Lorenzo, his father, was born in Cuba and his mother, Edith (or Elizabeth), was a native of the British West Indies. He was raised in New York City. His Wife Was Monica D. Chase. His children are Alton D Chase. Leland E. Chase Melanie D.Chase. His Grand Children are Nadira Chase and Ansar Chase.

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CAREER.

He studied at the American Academy of Music in New York City, and signed as a recording artist for Decca Records in 1951. However, his single releases for Decca and, later, other labels including RCA, Dawn, Liberty and Columbia were unsuccessful.

As a songwriter, early recordings of his songs included “Rain Down Rain” by Big Maybelle, and “Salty Tears” by Chuck Willis (both 1952), and “Mend Your Ways” by Ruth Brown (May 1953). His first real success came when his song “Such a Night” was recorded by The Drifters, featuring Clyde McPhatter, in November 1953. The song reached #2 on the Billboard R&B chart in early 1954, and was covered by Johnnie Ray, whose version reached #1 on the UK singles chart. A version recorded by Elvis Presley in 1960 also became a hit in 1964, and the song has subsequently been recorded by many other musicians.

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Chase’s next major success came with “Jim Dandy”, recorded in 1956 by LaVern Baker and the Gliders. The song rose to #1 on the US R&B chart and #17 on the Hot 100 in early 1957. Chase also wrote the follow-up record, “Jim Dandy Got Married”. He released an album on Liberty Records in 1957, The Explosive Lincoln Chase, recorded with the Spencer Hagen Orchestra.

In 1959, he met singer Shirley Ellis, and worked as her manager for the next few years. Contrary to some reports, they were never married. After collaborating on several unsuccessful singles, he wrote the song “The Nitty Gritty” for her, and it rose to #8 on the Hot 100 in early 1964. Several follow-ups written (or co-written) by Chase – “(That’s) What The Nitty Gritty Is”, “The Name Game”, and “The Clapping Song (Clap Pat Clap Slap)” – also made the US pop charts.

In 1973, Chase released a second album under his own name, Lincoln Chase ‘N You, on Paramount Records. Featuring drummer Idris Muhammad, it has been described as “trippy, odd and funky all at the same time….a bit like a black Frank Zappa but groovier.”

Chase died in the Atlanta area on 6 October 1980 at the age of 54.

Agencies/Various/Wiki/InternetPhotos/youtube/thecubanhistory.com
The Cuban History, Hollywood.
Arnoldo Varona, Editor.

Lilia Lazo, actress, painting. (born in Pinar del Rio) ** Lilia Lazo, actriz, pintora. (nacida en Pinar del Rio)

129686 Lilia Lazo was born in Pinar del Rio, Cuba, in 1935. From an early age, she showed a great gift for acting, painting, writing and oratory. After her father’s death, she and her mother moved to Havana. She enrolled in Sociedad de Bellas Artes (The Society of Fine Arts) a theatrical group that was a springboard for many fine Cuban actors. Young Lilia developed on the stage and showed an unusually skillful ability to tackle demanding roles.

In late 1940s Cuba, dozens of radio stations broad casted scores of soap operas. Lilia auditioned for and was hired by Radio CMQ in 1948. By 1950 she starred in five daily radio programs, all with the top audiences. Cuban radio corporations, like their US counterparts, began the transition to TV in the late 40s and CMQ’s state-of-the-art television studio was inaugurated in 1949. Lilia was invited to act on television.

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Her loyal radio audience could now see the pretty, talented girl they had heard, and her popularity skyrocketed. The Cuban Television Association voted her Cuba’s best dramatic and comedic actress in 1952. She created various comedic characters for Cuban television, including one named Popa, which would later reappear in the United States.

Her years of TV stardom were from 1953 to 1960, but she also made time to appear in various movies, most notably Affair in Havana with Raymond Burr and John Cassavetes, and the leading role in the Cuban-made La Vida Comienza Ahora, released in 1960 and considered by critics the first Castro-era movie of note. In 1960, she accepted an offer to study acting with Lee Strasburg at New York’s Actors Studio. Rejecting Cuba’s Communist Revolution, she and her husband of 47 years, producer Mario Agüero, settled in New York.

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In 1967, former Cuban television mogul Gaspar Pumarejo asked Lilia to return to TV with one of her comedy characters, Popa. Popa En Nueva York, as the series was titled, was taped and televised at WNJU channel 47 in Newark, NJ. A second season was aired in 1968 in color, making it the first Spanish language TV show made in color in the US. A full-length film, Popa en Nueva York, was released by Columbia Pictures that same year, directed by the legendary Mexican director Julio Bracho and co-starring Mexican leading man Rogelio Guerra.

In 1971, Goya Foods, Inc., sponsored production for Santa Barbara, Virgen y Martir, the first Spanish language TV Soap Opera made in the U.S. 75 full color episodes were aired between 1971 and 1972, and the novela topped the ratings in various cities in the United States.

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By 1975, the illness and death of Lilia’s mother and her husband’s new upper east side restaurant took Lilia away from acting for good. Thereafter she turned her attention to art, embarking on a successful painting career with various solo and group exhibitions in the US and abroad.

Agencies/Various/Mario Aguero/InternetPhotos/youtube/thecubanhistory.com
The Cuban History, Hollywood.
Arnoldo Varona, Editor.

31th ANNIVERSARY of Castro adventure in Granada. “Ran as Tortoló!”. ** ANIVERSARIO No. 31 de la aventura de Castro en Granada. “Corrió como Tortoló!”

12-Collage-Granada-invasion ANIVERSARIO No.31 DE LA AVENTURA DE CASTRO EN GRANADA. “CORRIÓ COMO TORTOLÓ!”.

Tras sufrir un infarto del miocardio, el general de división Senén Casas Regueiro, viceministro primero y jefe del Estado Mayor General, fue reemplazado en el cargo por el general de brigada Ulises Rosales del Toro ―luego ascendido a General de división―quien ocupaba la jefatura del Estado Mayor del Ejército Occidental. La plaza vacante fue cubierta por el coronel Pedro Tortoló Comás, un oficial enlace de la secretaría del ministro de las FAR.

Tortoló conquistó al estrellato la noche del 24 de octubre, cuando Fidel Castro compadecía ante la televisión cubana para informarle al pueblo que en las próximas horas los efectivos de la 82 división aerotransportada de EEUU desembarcarían en Granada. Ante la probabilidad del enfrentamiento con los cubanos, Castro se apresuró en comparar al desconocido coronel con el general Antonio Maceo, el Titán de bronce.

Cuando el AN-26 de la Fuerza Aérea Cubana que le condujo a Granada tocó pista en Saint George, Tortoló ordenó a la tripulación que permanecieran listos en sus puestos y luego se dirigió a la residencia del embajador Juan Torres Rizo. Entretanto, en el campamento “La Pequeña Habana” cercano al polémico aeropuerto en construcción (Punta Salinas), se agrupaban más de 700 constructores cubanos, armados con un importante alijo de fusiles AK-47, ametralladoras RPK, lanza cohetes RPG y un cañón antitanque de 55 mm, incluyéndose abundante parque.

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COMIENZA LA AVENTURA BÉLICA.

Tras el desembarco aéreo de las tropas estadounidenses, un jeep con las luces encendidas enarbolando una bandera blanca se aproximó a las posiciones cubanas, revelando a través de megáfonos su propósito de parlamentar. Sin embargo, la respuesta fue una andanada de disparos que luego se convirtió en un intenso tiroteo a causa del fenómeno psicológico conocido por “disparos por simpatía”, reacción muy común en los combatientes novatos.

“Me pegué a Tortoló, pa’ donde fuera él, iba yo”, narra uno de los constructores que participó en los combates. “En la noche los francotiradores con sus mirillas inflarrojas hicieron estragos, pronto cundió el pánico y la confusión… No había otra opción, había que correr… Fui de los que tuvo la suerte de llegar ileso a la embajada soviética”.

También provocó un desmadre nacional el último parte emitido por la misión diplomática cubana en Granada: “Los últimos combatientes se inmolaron envueltos en la bandera, caía así el último reducto defendido por los cubanos”.

Cumplía así Su Excelencia Julián Torres Rizo los postulados de la “Ley de Murphy”. Había que enviar la información agradable a las orejas de La Habana. Si el Comandante en Jefe se enteraba que los yanquis habían capturado a 638 combatientes y 86 se entregaron al enemigo por la vía de la rendición incondicional, le hubiera dado un ataque de estreñimiento de “sangre, sudor y lágrimas”.

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¿Si el aeropuerto de Punta Salinas estaba destinado a propósitos civiles, por qué los constructores cubanos estaban armados? ¿Si la misión encomendada al coronel Tortoló fue “mediar”, por qué los cubanos se liaron a tiros con los soldados norteamericanos? ¿Por qué los combatientes que lograron escapar fueron a refugiarse precisamente en la embajada de la URSS? ¿Cuba pretendía llamar la atención del desdeñoso Andropov? ¿Esta fue la misión asignada por el Partido y el Gobierno cubano? ¿Qué carajo fueron a defender los cubanos en Granada?

EL TRIUNFO “GLORIOSO”.

Olvidar no es recomendable y más aún, cuando hace 31 años el coronel Pedro Tortoló, vestido de civil y con pulóver a rayas, bajó la escalerilla del IL-62 que le condujo a La Habana, tras los enfrentamientos con tropas norteamericanas en la isla de Granada.

Muchos de los que vivieron la experiencia recuerdan que al aproximarse a Fidel Castro, adoptó la posición de firme para saludarle militarmente y exclamó: “¡Compañero Comandante en Jefe, la misión encomendada por el Partido y el Gobierno cubano ha sido cumplida!”. Asimismo entre abrazos, apretones de mano, vítores y el resuene de fanfarrias, el aclamado héroe se dirigió a un recinto del aeropuerto José Martí adonde ofrecería una conferencia de prensa.

Acosado por los flashes y las interrogaciones, Tortoló aseveró a los periodistas presentes que la misión encomendada por la máxima dirección del país, consistía en ejercer el papel de “mediador”. “¿Le ascenderán a general?”, preguntó alguien a continuación, a lo que respondió después de echarle un vistazo a su hombro y exhibir una leve sonrisa: “Bueno, hasta ahora soy coronel”. En efecto. No tenía idea de la desgracia que se avecinaba.

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Al mes del acontecimiento, la totalidad de los combatientes civiles que participaron en los sucesos de Granada franqueaban “la posta cinco” del edificio Sierra Maestra (sede del MINFAR). En su interior oficiales designados les condujeron, por grupos, al umbral del “teatro del piso dos”, adonde fue emplazada una maqueta con el levantamiento topográfico del escenario de los combates. Los sabuesos de la Contra Inteligencia Militar (CIM) aguardaban allí para someterles a una serie de interrogatorios.

En un vídeo exhibido meses después con exclusividad para los militantes del Partido y la Juventud Comunista, se revelaba la suerte del coronel Pedro Tortoló. En vez, de un ascenso al grado inmediato superior —General de brigada— se le degradaba a soldado raso.

Iguales sanciones se le aplicaron al resto de los 48 oficiales de la CIM, aviadores, instructores y técnicos militares que participaron en los sucesos del 25, 26 y 27 de octubre de 1983. A modo de indulgencia, le fue concedida a los castigados la oportunidad de partir al África para lavar la afrenta con actos heroicos.

Además de las burlas dirigidas a Tortoló producto de las murmuraciones populares, se sumaba el término peyorativo empleado por el Ministro de las FAR, quien le tildó de “coronelito” en el susodicho vídeo.

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Lo cierto es que, hoy por hoy, Pedro Tortoló, es una especie de entelequia que probablemente se ha cruzado en nuestro camino manejando un almendrón ―se aclara que no tenía un Lada, sino un Fiat polaquito― o quizás nos ha vendido cualquier fritanga en un timbiriche cuentapropista.

Con solo pronunciar su nombre, a manera de estereotipo, muchos simulan arrancar a correr. Tortoló carga con un estigma ―que si se hace justicia― debe compartir con Fidel y Raúl, quienes durante el asalto al cuartel Moncada corrieron “hasta darse con los calcañales en nuca”, dejando abandonados a sus compañeros heridos en combate.

31 AÑOS DESPUES DE GRANADA.

Mientras los medios audiovisuales del oficialismo ignoraban la efeméride, donde murieron 24 de nuestros nacionales, la cadena venezolana Tele-Sur dedicaba un reportaje a la conmemoración en la ciudad de Saint George, con entrevistas a los sobrevivientes de los sucesos del 25 de octubre de 1983, fecha oficiada en Granada como feriado por el “Día de la liberación”.

En el segmento filmado en Cuba, (TELESUR) conducido por la reportera Fabiola López, aparecieron veteranos constructores que participaron en la contienda. Entre ellos, postrado en una silla de ruedas, Mario Martín Manduca, uno de los civiles heridos gravemente en combate que fue abandonado en el campo de batalla por sus compañeros y fue socorrido humanitariamente por sus enemigos.

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Por supuesto que el gran ausente del reportaje fue el excoronel Pedro Tortoló, quizás el más indicado para aclarar las interrogantes que oscurecen el episodio granadino.

Tras su repatriación ―se le asistió en un hospital de Puerto Rico― Martin Manduca echó pa’lante públicamente a “Malanga y su puesto de vianda”, un destape de Caja de Pandora por la que Tortoló y el resto de los oficiales fueron sancionados. En su comentario, reveló la existencia de un libro de su autoría con crónicas de la batalla. Pero como suele ser recurrente, el texto no se encuentra disponible en las librerías nacionales.

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Las vistas incluyeron una relegada bóveda del cementerio de Saint George, con una tarja de bronce a modo de epitafio que enumera a los militares granadinos caídos en los enfrentamientos contra los efectivos de la 82 división aerotransportada. Además de vistas de las playas atestadas de bañistas y algunas imágenes actuales del controversial aeropuerto.

Agencies/DDC/Pablo Pascual Méndez Piña, La Habana/Excerpts
The Cuban History, Hollywood.
Arnoldo Varona, Editor.

CUBA PHOTOS.
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31th ANNIVERSARY OF CASTRO ADVENTURE IN GRANADA. “RAN AS TORTOLÓ!”

12-Collage-Granada-invasion 31th ANNIVERSARY OF CASTRO ADVENTURE IN GRANADA. “RAN AS TORTOLO!”.

After suffering a heart attack, Major General Senen Casas Regueiro, and first deputy chief of the General Staff, was replaced in office by Brigadier General Ulises Rosales del Toro-then promoted to Major General who occupied the head-of Staff of the Western Army. The vacancy was filled by Colonel Pedro Tortoló Comas, an official liaison secretariat of the Minister of the FAR.

Tortoló stardom conquered the night of 24 October, when Fidel Castro sympathized with Cuban television to tell the people that in the coming hours the troops of the 82nd Airborne Division disembark in Granada USA. Given the likelihood of confrontation with the Cubans, Castro was quick to compare the unknown colonel with General Antonio Maceo, the Bronze Titan.

When the AN-26 of the Cuban Air Force which led to Granada played track in Saint George, Tortoló ordered the crew to remain at their posts ready and then went to the residence of Ambassador Juan Torres Rizo. Meanwhile, at the camp “Little Havana” close the controversial airport under construction (Punta Salinas), more than 700 Cuban construction workers, armed with a large stash of AK-47 rifles, RPK machine guns, RPG rocket launchers and anti-tank gun were grouped 55 mm, including abundant park.

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THE ADVENTURE BEGINS.

After the air landing of American troops, a jeep with lights on it a white flag approached Cuban positions, revealing through megaphones its intention to parley. However, the response was a volley of shots that later became an intense firefight because of the psychological phenomenon known as “sympathetic shots”, very common reaction novice fighters.

“I stuck to Tortoló, pa ‘where were him, I would,” recounts one of the builders who participated in the fighting. “At night sniping with peepholes inflarrojas raged, suddenly panicked and confusion … no other choice, you had to run … I was of those who had the luck to reach the Soviet Embassy unharmed.”

It also sparked a nationwide riot last part issued by the Cuban diplomatic mission in Granada: “The last fighters blew themselves wrapped in the flag and fell the last stronghold defended by Cubans.”

Thus fulfilled His Excellency Julian Torres Rizo postulates of “Murphy’s Law”. It was nice to send information to the ears of Havana. If the Commander in Chief found out that the Yankees had captured 638 enemy fighters and 86 were delivered by way of unconditional surrender, he would have had a fit of constipation “blood, sweat and tears.”

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If the airport of Punta Salinas was intended for civilian purposes, why were armed Cuban construction? If the mission entrusted to Colonel Tortoló was “mediate” why Cubans they messed with dead American soldiers? Why fighters who escaped took refuge in the embassy precisely the USSR? ¿Cuba intended to alert the dismissive Andropov? Is was assigned by the Party and Cuban government mission? What the fuck are they defending Cubans in Granada?

WIN THE “GLORIOUS”.

Forgetting is not recommended and even more so when 31 years ago Colonel Pedro Tortoló civilian clothes and sweater striped down the stairs of the IL-62 that led to Havana, following clashes with American troops on the island of Granada.

Many of those who lived the experience reminded that when approaching Fidel Castro, took the position militarily strong to greet and exclaimed, “Commander in Chief Mate, entrusted by the Party and Cuban government mission has been accomplished”. Also with hugs, handshakes, and cheers resound fanfare, the acclaimed hero went to a room where the airport José Martí offer a press conference.

Beset by flashes and interrogations, Tortoló said to reporters that the mission entrusted by the top leadership of the country mission was to play the role of “mediator”. “? Would generally amount to” someone asked then to which he replied after taking a look at your shoulder and exhibit a slight smile: “Well, so far I am Colonel”. Indeed. I had no idea of the misery to come.

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A month of the event, all civilian fighters who participated in the events of Granada franked “the post five” Sierra Maestra building (headquarters MINFAR). In his official designated indoor led them, in groups, the threshold of the “theater stage two”, where he was located a demo with surveying the scene of the fighting. Bloodhounds of Military Intelligence (CIM) Contra waiting there to subject them to a series of interrogations.

In a video shown exclusively for months after the militants of the Party and the Communist Youth, the fate of Colonel Pedro Tortoló revealed. Instead, a promotion to the next grade -General brigadier he was demoted to private.

The same penalties were applied to the rest of the 48 officers of the CIM, airmen, military trainers and technicians who participated in the events of 25, 26 and 27 October 1983 As an indulgence was granted the opportunity to punished leaving to Africa to wash the shame with heroics.

Besides teasing Tortoló product aimed at the popular gossip, the pejorative term used by the Minister of the FAR, who branded him “coronelito” in the above video was added.

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The truth is that, today, Pedro Tortoló, is a kind of pipe dream that has probably crossed our path driving a almendrón He clarified that he had a Lada, but a Fiat polaquito- or perhaps sold us any fry in one cuentapropista timbiriche.

Just say his name, as a stereotype, many simulated start running. It carries a stigma Tortoló which if done justice to share with Fidel and Raul, who during the assault on the Moncada barracks ran “to be with calcañales in neck”, leaving behind their wounded comrades in combat.

31 YEARS LATER OF GRANADA.

While the ruling audiovisual media ignored the anniversary, which killed 24 of our nation, the Venezuelan chain Tele-South dedicated an article to the memorial in the town of Saint George, with interviews with survivors of the events of October 25, 1983 date celebrated as a holiday in Granada by the “liberation Day”.

In the segment filmed in Cuba, (Telesur) led by reporter Fabiola Lopez appeared builders veterans who participated in the contest. Among them, confined to a wheelchair, Mario Martín Manduca, one seriously wounded civilians in combat that was abandoned in the field by his teammates and was rescued by his enemies humanely.

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Of course the big story was absent from Pedro excoronel Tortoló perhaps best placed to clarify the questions that obscure the Granada episode.

After his repatriation She assisted him in a hospital in Puerto Rico Martin Manduca publicly threw pa’lante “Malanga and his post pottage,” a Pandora’s Box uncovering why Tortoló and other officers were disciplined. In his commentary, revealed the existence of a book he authored with chronic battle. But as is often recurrent, the text is not available in national libraries.

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The views included a neglected cemetery vault Saint George, with a bronze plaque as an epitaph which lists the Grenadian soldiers killed in the fighting against the troops of the 82nd Airborne Division. In addition to views of the beaches crowded with bathers and some current pictures of the controversial airport.

Agencies / DDC / Pablo Pascual Méndez Piña, Havana / Excerpts
The Cuban History, Hollywood.
Arnoldo Varona, Editor.